artist - stephen langton goulet - CV - 2026
( detail.... "Sun Two Venus"..............(pen and ink dots )
From the early 1970's, this artist has followed the calling in a variety of media;
primarily pencil, pen and ink, ( with pointillist techniques ), "rockatiering", and photography.
"Root Two Spirals" ( pen and inkdots..........negative)
1979 - 1993
In collaboration with Design Draftsman.................Joseph Edward Batter......(1941- 1994)
This chapter began with a series of profound recoveries, connecting Cosmic distances with Earthly dimensions.
A multi-disciplinary exploration of an ancient geometry, and the numbers within, ensued. A scale located,
embedded, in the heart of the architecture. Now emerging. The chamber decoding, revealed over decades,
is sharply enhanced by Stephens' striking and impactful visual imagery.
1980 - 1984
Tri-Ten Measure. "the Legend of Joey Bee", and "The Machine Array" (negatives)
In collaboration with Design Draftsman.................Joseph Edward Batter......(1941- 1994)
This chapter began with a series of profound recoveries, connecting Cosmic distances with Earthly dimensions.
A multi-disciplinary exploration of an ancient geometry, and the numbers within, ensued. A scale located,
embedded, in the heart of the architecture. Now emerging. The chamber decoding, revealed over decades,
is sharply enhanced by Stephens' striking and impactful visual imagery.
1980 - 1984
Tri-Ten Measure. "the Legend of Joey Bee", and "The Machine Array" (negatives)
height: 2.207 lix, ( phi, to the 16th power ) width: 3.571 lix, ( phi, to the 17th power )
( one lix = 1.001006(153 ) feet)
The "Brainelevator" ( 2008 - present )
Realizing how the upper and middle chambers fit geometrically inside each other.....
.....i imagined, constructing a half size scale model,
would be the next logical step, and built one in the backyard:
would be the next logical step, and built one in the backyard:
inside
1995 - present
"Double Sevens" - 17BC - pencil - 1997
Triggered by the visual absurdity, over some 30 years, the artist applied geometry, physics, and
muscle memory, in a tangible way; precariously balancing stones, large and small, all the while
capturing his ephemeral "rockatree", by photograph and drawing.
Triggered by the visual absurdity, over some 30 years, the artist applied geometry, physics, and
muscle memory, in a tangible way; precariously balancing stones, large and small, all the while
capturing his ephemeral "rockatree", by photograph and drawing.
" 17 BC "
( 1995 through 2005 )
( 1995 through 2005 )
- A 10 year, public art project, raising hundreds of balanced stone constructs, on a bluff, alongside
- the "Pat Bay" highway, (17), on Vancouver Island, with fellow "Rockatier", .....Glen McConnell.
( 1990's - present ),
The artist continues to observe, interpret and capture
bits of the World around him through the lens of his camera:
"reflected hand on frosty glass"
At 905, months, (and counting), Stephen remains focused,
primarily on the "recovered", dimensions:
some recent examples:
( Base Point* is the subterranean chamber )
This artist displays his work infrequently at galleries, by choice. Meanwhile, he remains
focused on building a theoretical and geometric framework for the subject
matter he spent nearly half a century decoding and recording.
" Hisstory...... repeating itself. "........... pen and inkdot...........1987
"Sun Two Venus" 1985
height: 2.207 lix, ( phi, to the 16th power ) width: 3.571 lix, ( phi, to the 17th power )
An early adopter of the world wide web, Stephens' art, and geometry,
have maintained an unbroken online presence, since the mid 90's.
1996 2008
lixcaliber.com brainelevator.org
" DJ, at 4 " ( pen and inkdots )