artist - stephen langton goulet - CV - 2026
( detail.... "Venus too"....(pen and ink )
From the early 1970's, this artist explored his calling in a variety of media, primarily
pencil, pen and ink, ( using pointillist techniques ), "rockatiering", and photography.
1979 - 1993
In collaboration with Design Draftsman, Joseph Edward Batter......(1941- 1994)
Profound recoveries, connecting cosmic distances with earthly dimensions.
Explorations of an ancient geometry, and the numbers within. A scale, embedded.
The story, revealed over decades, enhanced by Stephens' striking and impactful visual imagery.
Tri-Ten Measure. "the Legend of Joey Bee":
From the early 1970's, this artist explored his calling in a variety of media, primarily
pencil, pen and ink, ( using pointillist techniques ), "rockatiering", and photography.
1979 - 1993
In collaboration with Design Draftsman, Joseph Edward Batter......(1941- 1994)
Profound recoveries, connecting cosmic distances with earthly dimensions.
Explorations of an ancient geometry, and the numbers within. A scale, embedded.
The story, revealed over decades, enhanced by Stephens' striking and impactful visual imagery.
Tri-Ten Measure. "the Legend of Joey Bee":
1995 - present
Triggered by the absurdity, for some 30 years, the artist applied geometry, and physics, in a tangible way;
balancing stones, large and small, while capturing his ephemeral sculptures with photographs and drawings.
" 17 BC "
- A 10 year, public art project, raising balanced stone constructs, on a bluff, alongside
- the "Pat Bay" highway, on Vancouver Island, with fellow "Rockatier"....Glen McConnell.
- 1995 through 2005
( 1990's - present ),
Continues to observe, interpret and capture bits of
the World around him through the lens of a camera:
An early adopter of the world wide web, Stephens' art,
and arithmetic, sustaining an online presence, since the mid 90's.
webpages - 1996 - present:
lixcaliber.com brainelevator.org
The artist displays his work infrequently at galleries, by choice. Instead, he remains focused
on building a theoretical and geometric framework for the subject matter he's spent
nearly half a century investigating and recording.
Stephen is presently focused, primarily, on his photography and the "recovered", numbers:
( Base Point* is the Subterranean chamber )
Despite the creatively esoteric formatting of much of his work, Stephen does not venture into
mythmatics, or metaphysics; deferring instead to the proven experts, to flesh these bare-boned axioms out.